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The elephant sculptures were installed Monday, April 24, 2016. (Photo courtesy Audubon Nature Institute) Artist Jocelyn Russell was commissioned to build new life-size, bronze elephants for the Cooper Plaza fountain at the entrance to Aububon Zoo in New Orleans. The elephant sculptures were installed Monday, April 24, 2016. (Photo courtesy Audubon Nature Institute) Artist Jocelyn Russell was commissioned to build new life-size, bronze elephants for the Cooper Plaza fountain at the entrance to Aububon Zoo in New Orleans. The elephant sculptures were installed Monday, April 24, 2016. (Photo courtesy Audubon Nature Institute) Artist Jocelyn Russell was commissioned to build new life-size, bronze elephants for the Cooper Plaza fountain at the entrance to Aububon Zoo in New Orleans. The elephant sculptures were installed Monday, April 24, 2016. (Photo courtesy Audubon Nature Institute) Artist Jocelyn Russell was commissioned to build new life-size, bronze elephants for the Cooper Plaze fountain at the entrance to Aububon Zoo in New Orleans. The elephant sculptures were installed Monday, April 24, 2016.
Keisters works at the Mitchell Algus Gallery. Michael Nagle for The New York Times MITCHELL ALGUS GALLERY In the late 1970s and early 1980s, Steve Keisters abstract sculptures were one of the delights of the SoHo gallery scene. Hollow, suspended fiberglass forms, often pointed like projectiles, brought to mind kites and rockets, objects that fell between missiles and toys. He went on to make floor-bound works that repurposed pieces of Modernist furniture as armatures for stretched spandex. For a while he didnt seem to show much, and when he returned, it was with glazed ceramic pieces cast from plastic foam packing materials assembled to suggest pre-Columbian sculptures: bat gods, monkey gods, jungle cats. In Post-Columbian, the mini-survey at Mitchell Algus , we get 1987 and 2017, and theyre both terrific in complementary ways: Abstract meets Aztec, which, of course, happened in an earlier history of Modern art. A detail from Untitled at the Stephen Irwin exhibition at Invisible-Exports. Michael Nagle for The New York Times INVISIBLE-EXPORTS Stephen Irwin, who lived and worked mostly in his birthplace of Louisville, Ky., and died there of chronic heart disease in 2010, at 51, used commercial pornography, gay and straight, as his basic material. Extracting images from magazines, he bleached and sanded the surfaces until the sexual content was reduced to a minimum: A hand reaches out from what looks like a tear in a curtain; a wide patch of white could be sand or skin. The effect is the visual equivalent of hearing the faint sounds of what might, or might not be, lovemaking coming from another room. In this show , titled Check to see if still dead inside, it leaves eroticism teasing but unsensational, and may have provided a way for an artist living with a constant threat of erasure to deal with that idea. Michaela Eichwalds Niet Niss Niss Nit (2017) at Reena Spaulings Fine Art. 2017 Michaela Eichwald / Artists Rights Society (ARS), New York; Michael Nagle for The New York Times REENA SPAULINGS FINE ART There are tons of big, brushy abstract painting around these days, which prompts the question: How satisfying can it be to do warmed-over 1940s Modernism?
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A Background In Locating Significant Criteria For Fiberglass Sculpture
Delivery of the lions and elephants is expected to be Sunday, April 23, at around 6:00 p.m. The meerkats will be the last sculptures to be completed. For more information on Russell and her Audubon Zoo project, click here . Copyright 2017 WAFB . All rights reserved. Trending StoriesTrending Stories More>> Thursday, April 27 2017 12:17 AM EDT2017-04-27 04:17:43 GMT Updated: Friday, April 28 2017 11:32 PM EDT2017-04-29 03:32:02 GMT Convicted killer William Huff was spotted riding his bicycle through a Tucson neighborhood. (Source: 3TV/CBS 5) William Huff terrorized Sierra Vista during the spring and summer of 1967. Despite a sentence of 40 years to life, the Arizona Board of Executive Clemency voted to release himfrom prison into home arrest. Family members of the victims are concerned for the safety of the community, as are new members of the Clemency Board.
Las Vegas, NV (PRWEB) April 25, 2017 Patients who would like to straighten their teeth can now choose a modern procedure that achieves results in a fraction of the time as traditional braces Wilckodontics. Dr. Victoria Chen, an orthodontist in Las Vegas, NV, with Significance Dental Specialists, now offers this revolutionary treatment with or stone sculptor without a referral. Press Release Follow seattlepi.com on Facebook and Twitter . Wilckodontics is also referred to as Accelerated Osteogenic OrthodonticsTM (AOOTM). It involves altering the bone tissue before placing braces in order to ensure the teeth move more easily, reducing treatment time. When Wilckodontics is applied, patients can usually see desired results in as little as three to eight months. Compared to traditional braces, which typically require two to three years to complete treatment, Wilckodontics is highly beneficial to patients who desire quick results. The Wilckodontics process is simple. As a leading orthodontist in Las Vegas, NV, Dr. Chen performs a surgical procedure that alters the bone tissue to prepare it for the movement of the teeth.
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During free admission times, public tickets will be available for a reduced fee of $8, while IMA members play for free. Exclusive member preview days will be offered May 26 and 27 during regular Museum hours. Snacks and refreshments will be available for purchase on this one-of-a-kind course. Come enjoy a sunny afternoon with friends or bring the whole family along to explore Mini Golf at the IMA this summer. Lead support for Mini Golf at the IMA is provided by Barnes & Thornburg, LLP. Additional support is provided by Sun King Brewery and the Volunteers of the IMA. This program is part of the IMA's ARTx series, made possible by a gift from the Efroymson Family Fund. Holes include: Stroll Gardens puts the mini in mini golf. Sculptor Kevin Bielicki draws inspiration from Japanese gardens, a style known for meticulous design and illusions of scale.
Schaben / Los Angeles Times) Louis Sahagun Contact Reporter From a cafe table on a pier overlooking sea lions and passing sailing vessels with bright pennants flapping in the breeze, Pedro Nava recalled that the battle lines were drawn to prevent offshore drilling in Santa Barbara when a marine sanctuary was established here in 1954. At issue was the spread of oil derricks on the hills and streets of the nearby coastal hamlet of Summerland, which had become so polluted sculptor Melbourne that a newspaper editor at the time lamented that "the whole face of the townsite is aslime with oil leakages. Nava, 69, a local resident and 3d sculpture artists former California assemblyman, said the sanctuary sculpture artists initiated by then Mayor John Rickard was the start of a new era: our economic future would be based on the scenic beauty of our coastline and tourism. Now, from one end of this 5-mile-long city with a population of about 91,000 people to the other, community leaders, business owners and environmentalists are reacting with anxiety and anger to the executive order President Trump signed on Friday to consider new offshore drilling in federal waters here and around the country. There were few complaints on Saturday among the thousands of visitors, many of them clutching shopping bags, who strolled along the pier and explored downtown streets lined with boutiques, restaurants and watering holes with red-tiled roofs reflecting the citys Spanish colonial heritage. But behind the scenes of the city 90 miles up the coast from Los Angeles, things were anything but placid. Victoria Fauerbach, 18, a docent at the Santa Barbara Museum of Natural History Marine Center on Stearns Wharf near downtown, was preparing to teach visiting students about the life cycle of sharks when she first heard the distressing news. My first thought was, Do they really want to do this to our environment? she recalled. How long before we get an oil spill? A mile away, at the sculptor pictures Shoreline Cafe, an eatery with beachfront dining tables set up on the strand, manager Ulises Morales shared similar concerns as he served customers enjoying Mexican dishes and sipping margaritas while pushing their toes into the sand. Giving a sardonic smile, Morales said, As you can see, an oil spill on the beach would not be good for us. Tourism and recreation are substantial drivers of Californias 19 counties adjacent to the Pacific Ocean. Together, they comprise more than 18,000 business establishments employing 368,000 persons and generating nearly $9 billion in wages, according to a 2012 study conducted by the National Oceanic and Atmospheric Administration. Unlike many coastal destinations, however, the Santa Barbara region includes one of the largest natural oil and gas seeps in the world. Native Americans used globs of asphalt that accumulated naturally above ground to seal and waterproof the wooden planks of their boats.
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Joe Center Road; hours, 483-3116. Today WORKS OF KAREN BIXLER Ends Sunday; works of Barb Yoder begins Monday through May 31; Visiting Nurse Hospice, 5910 Homestead Road; hours, 435-3222. Today WORKS OF BARB YODER AND KAREN HARVEY Ends Sunday; works of Toni McAlhany and Randy Roberts begins Monday through May 31; Will Jewelers, 10146 Maysville Road; hours, 493-2026. Today WORKS OF PATRICIA WEISS Ends Sunday; Heritage of Fort Wayne, 8200 St. modern art sculptureJoe Road; hours, 209-6279. Today WORKS OF EMILY JANE BUTLER Sunday; works of Jessie Strock begins Monday through May 31; Ophthalmology Consultants Southwest, 7232 Engle Road; hours, 436-7205. Today WORKS OF JOHN KELTY Ends Sunday; works of Emily Jane Butler begins Monday through May 31; ResCare Inc. Adult Day Services, 3711 Rupp Drive; 483-2888. Today SPRING 2016 BFA EXHIBITION Ends Wednesday; Jeffrey Krull Gallery, Allen County Public Library, 900 Library Plaza; 9a.m.click for more info